Disseminating Parallel Futures

I met her in Coffee To The People. This is where the traveller kids hang out. She collects scraps of cloth on her travels and adds them to her Magic Outfit. I think she should exhibit in a gallery.
Gay Pride, Dyke March & Pink Saturday
This is version 1.1 of my Dancing Jasper Map. It is an example of the relatively unknown medium of Locative Data Art. I am using the Geo Spatial Search capabilities of Flickr and Programmable Google Maps to create a complex cartographic representation of my my deterritorializing line-of-flight through Queer Carnaval Space on the afternoon of June 26th 2010.
One of the themes of my recent work is how to publicize and broadcast ethnographic data from a counterpublic. These kinds of images usually propagate within the boundaries of one Counterpublic such as (mostly white) Lesbian and Gay Hipster, Mainstream Gay, Transgender, Transsexual, Queer People of Color, or the panopoly of straight counterpublics. Publicity tends to be intra-public rather than inter-public. The Social media tend to reinforce these dynamics as individuals act as distributed filters for what reaches the Interior of the Counterpublic.
When mobiles like Photos cross the membranes of the counterpublics they change meanings. To use Bruno Latour's language they are not faithful allies. Images do not transmit my intent, or the intent of the original "fashion statement" as they circulate.
A audiovisual data archive like Flickr undermines these membranes between publics to some extent. But my "immutable mobiles", my images are decontextualized on Flickr as individual photographs. They are absorbed into the FlickrSphere, and abstracted away from Ethnographic and Counterpublic Context. In a sense Flickr commodifies the photos within the framework of the Attention economy. They become an attention commodity. I get thousand of eyeballs a day, but these eyeballs are instantiated as consumers, rather than as members of my Art-Public.
This Temporal map is an iteration of my goal to create a different kind of Immutable Mobile. This is photographic data that refuses to be decontextualized.
The javascript code for this piece is Open Sourced under the Creative Commons Non-Commercial license I created the psycho-geo Google Project to house the code for my Locative Data Art. . Please reuse and remix it. Drop me a line if you would like to get involved.
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August 3, 2010 | Berkeley, CA | Boy Street Fashion & Street Art
This outfit is Jasper in High Boy. This is the masculine leg of my Gender Dialectic. This is the fashion retreat where I am in hiding. I learn a lot during these camouflaged periods. However by not giving publicity to my feminine gender, I pay a price. My connections with other women become more formal and distant. I stop performing homo-social contact with other women. A part of me withers, a part that is emotional and vulnerable, and thus begins the dialectic swing back towards Public Femininity.
I have started to think the word interiority as Habermas uses it, describes this "Place" within me that is developed in Girl Society and made Unrepresentable in Boy Society. The Masculine gender is inscribed through the magic trick of making male interiority disappear, this is related to the phenomenon of Male clothing hiding the body. In a very strange sense male are treated as abstract socio-linguistic entities in the Public Sphere, while female bodies and interiorities are both seen and talked about in Public. I represent a new movement of Males who want to exist as fully developed human beings, but find the social constraints of The social Gender "Man" to be too constraining, so we identify publicly as Woman.
I feel that this is a continuation of the Enlightenment project and the struggle for Individual Liberty. I contend that our social practices of Institutional Education and a centralized mass-media Public Sphere reproduce the social practices of gender. The free, decentralize media ecosystem of Twitter publicity plus the giant cloud-based Audio-Visual-Textual Databases like Youtube, Flickr, and Wordpress, finally allows us to continue the enlightenment project of banishing superstitions like the rigid dichotomies of Sex, Gender and Sexuality.

July 30 2010,
This little teddy bear shows us how how the Male body and the penis are not intrinsically threatening or dangerous. Masculinity requires masculine clothing and other semiotics of power. Naked a man is feminine and tender.
The American social taboos around Penis Publicity have an ironic effect. The Masculine Myth is so fragile, and so ready to evaporate with just a few rays of sunshine, but the left and right of society is united its fear of male sexuality and naked males. Many Radical Feminists seem to equate seeing a penis with violation, and would surely advocate using the powers of the state to suppress Male Nakedness if our post-protestant culture did not already ban the male body from "The Mediated Public" except in its gym-mediated Hyper-Masculine form.
We are in a strange dialectic where a Counterpublic solidifies what it is reacting against.
July 29th 2009
This is taken on rodeo beach in the Marin Headlands.
The Marin Headlands are a reclaimed military territory. I stayed in the Old Infimary of of a 1907 Defensive Fort. The houses were built as a panopticon in a horseshoe a ring around a central (training?) field.
Updated July 30 2010 v2
Luckily for you, my readers, early modern history has been a keen interest of mine, so I can fill in some of Habermas' historical gaps regarding the Dutch Republic.
Jonathan Israel scholarship along with that of Braudel is responsible for "rediscovering" the Dutch Republic. Dutch history was written by the Dutch Constitutional Monarchists. It took an outsider like Israel to put the Dutch back at the center of the Enlightenment and the birst of Modernity.
google book of Israel's Book on Spinoza and the Early Radical Enlightenment
Cheery Economic News to Get Your Week Started
I missed this when it was published a few days ago. Worth a read.
I visited the Slate Political Gabfest podcast yesterday. These otherwise excellent, entertaining, highly educated folk (David Plotz, Emily Bazelon, and Daniel Gross, in for vacationing John Dickerson) were discussing the ramifications of the economic situation on the upcoming elections. They were quite clear about not being able to articulate the nature of this economic situation, “…this recession, or whatever you want to call it…” in Ms. Bazelon’s words. What’s the point of sending these people to Ivy League colleges if they can’t make sense of their world.
Let’s call this whatever-you-want-to-call-it a compressive deflationary contraction, because that’s exactly what it is, an accelerating systemic collapse of activity due to over-investments in hyper-complexity (thank you John Tainter). A number of things are going on in our society that can be described with precision. We’ve generated too many future claims on wealth that does not exist and has poor prospects of ever being generated. That’s what unpayable debt is. We have such a mighty mountain of it that the Federal Reserve can “create” new digital dollars until the cows come home (and learn how to play chamber music), but they will never create enough new money to outpace the disappearance of existing notional money in the form of welshed-on loans. Hence, money will continue to disappear out of the economic system indefinitely, citizens will grow poorer steadily, companies will go out of business, and governments at all levels will not have money to do what they have been organized to do.